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One of the wyves of Wyngyno
The wife of an Indian weroance, or chief, raises her arms to cover her breasts and crosses her legs in this watercolor painting by John White. Her posture, according to Thomas Hariot, was a "token of maydenlike modestye."Unlike other Indian women…
Tags: colonialism, dress, identity, women
The wyfe of an Herowan of Secotan
The wife of an Indianweroance, or chief, crosses her arms in this watercolor painting byJohn White, the English artist who in 1585 accompanied a failed colonizing expedition to Roanoke Island in present-day North Carolina.The body art on her breast,…
Tags: colonialism, dress, identity, women
A cheife Herowan
An Indian weroance, or chief, poses in this watercolor by John White, the English artist who in 1585 accompanied a failed colonizing expedition to Roanoke Island in present-day North Carolina. Some scholars argue that this figure represents the…
Tags: chief, colonialism, crafts, dress, identity
The manner of their attire
English artist John White's original watercolor of a single Indianweroance, or chief, shows him holding a bow and looking to his right with one arm akimbo. The drawing carries the inscription, "The manner of their attire and painting them selves when…
Tags: ceremony, colonialism, dress, identity, regalia
Interview with Wayne Adkins
Karenne Wood, director of theVirginia Indian Programat theVirginia Foundation for the Humanities, interviews Wayne Adkins, then–second assistant chief of the Chickahominy, at the Chickahominy Tribal Center in New Kent County.
Tags: ceremony, Chickahominy, children, dance, identity, oral history
Interview with Powhatan Red Cloud-Owen
Karenne Wood, director of theVirginia Indian Programat theVirginia Foundation for the Humanities, interviews Powhatan Red Cloud-Owen while the two are driving.
Tags: Chickahominy, children, dance, identity, music, oral history
Amherst's Cherokees
In a letter to the Lynchburg Newsthe Reverend Josiah R. Ellis gives an account of the origin of the Indians in Amherst County. The letter was published in The Southwestern Episcopalian on December 5, 1922.
Tags: identity, Monacan Indian Nation
Pocahontas as "Forest Girl"
In this nineteenth-century oil portrait of Pocahontas, artist Robert Matthew Sully depicts the legendary Virginia Indian before her conversion to Christianity and her marriage to the English colonist John Rolfe. Despite the artist's attempt to…
Tags: environment, identity, myths, race, women
Pocahontas
Created by Simon van de Passe, this 1616 engraved portrait of the Virginia Indian Pocahontas is the only known image of her made from life. The Dutch artist was working in London that year when Pocahontas arrived in England with her husband, John…
Tags: colonialism, identity, women