Browse Exhibits tagged "Monacan" (3 total)
The Monacan Homecoming, held on the first Saturday of October each year, combines a family reunion with a church bazaar and bake sale, a massive buffet dinner, and the tribal scholarship auction. Youth dancers perform for the crowd as a way of honoring their heritage and acknowledging the scholarships offered to tribal members attending college.
Native peoples have lived in this land we know as Virginia for thousands of years. Despite hardships brought about by the loss of their land, language, and civil rights, many Virginia tribes persisted and their members have continued to contribute to the Commonwealth through agriculture, land stewardship, teaching, military and civic service, the arts, and other avenues.
In recognition of their lasting legacy and significance, as well as to ensure that the rich and inspiring stories of our Native peoples will endure, the Virginia Indian Commemorative Commission was established with the purpose of erecting a permanent monument on Capitol Square in Richmond.
This exhibit revolves around a series of interviews conducted in 2006 with various Virginia Indian artists and performers, most of whom later participated in the Smithsonian Museum's National Folklife Festival in Washington, DC, in 2007.
Among the Virginia Indian tribes, several traditional cultural forms are still practiced, and new traditions have developed as well. A few artists make their living solely from their art; generally speaking, however, these practices are a part-time endeavor. Tribal artists are involved in beadwork, leather crafting, wood carving, pottery, and basket weaving. Tribal dancing has continued as a tradition, and the Virginia Indians practice not only their own traditional dances, such as the Green Corn Dance and the Canoe Dance, but they also participate in intertribal contemporary powwow dancing as well.
This pot is a piece of classic blackware by Christine Custalow, a member of the Mattaponi tribe. The pottery is formed with coils of clay, then covered in pine needles and wood and fired in an outdoor kiln to create a black finish. For more information about the artist and her process, see this interview from 2007. The photograph, by Mathias Tornqvist, was originally published inThe Virginia…