Browse Exhibits tagged "Mattaponi" (4 total)
Native peoples have lived in this land we know as Virginia for thousands of years. Despite hardships brought about by the loss of their land, language, and civil rights, many Virginia tribes persisted and their members have continued to contribute to the Commonwealth through agriculture, land stewardship, teaching, military and civic service, the arts, and other avenues.
In recognition of their lasting legacy and significance, as well as to ensure that the rich and inspiring stories of our Native peoples will endure, the Virginia Indian Commemorative Commission was established with the purpose of erecting a permanent monument on Capitol Square in Richmond.
This exhibit revolves around a series of interviews conducted in 2006 with various Virginia Indian artists and performers, most of whom later participated in the Smithsonian Museum's National Folklife Festival in Washington, DC, in 2007.
Among the Virginia Indian tribes, several traditional cultural forms are still practiced, and new traditions have developed as well. A few artists make their living solely from their art; generally speaking, however, these practices are a part-time endeavor. Tribal artists are involved in beadwork, leather crafting, wood carving, pottery, and basket weaving. Tribal dancing has continued as a tradition, and the Virginia Indians practice not only their own traditional dances, such as the Green Corn Dance and the Canoe Dance, but they also participate in intertribal contemporary powwow dancing as well.
This exhibit provides an historical and archaeological overview of Virginia's first peoples from earliest times until the Late Woodland era , the point of contact with English colonists in 1607. It also describes the three linguistic and cultural groups found in Virginia by the Woodland period.
For thousands of years, indigenous peoples in the Americas educated their children by example and used stories to transmit knowledge and social values. When the English arrived at Jamestown in 1607, they assumed that their own cultural practices and religious beliefs were superior to those of Native peoples, and they believed it their duty to educate Indians according to English traditions and to instruct them in the Christian faith. In so doing, they hoped to create Indian teachers and missionaries who would work among their own people to eliminate “savage behavior” and replace it with English attitudes.
The first institute for Indians in Virginia was the Brafferton School at the College of William and Mary. It was followed a century later by an American Indian program at the Hampton Normal School. Both programs required the Indian students to relocate far from home, and neither program incorporated Native perspectives into its policies or curricula.
During the 20th century, many Virginia Indian students attended primary schools that were operated by church missions established in their local areas. Because secondary schools for Indians did not exist in Virginia, many students attended federal Indian boarding schools as far away as Bacone Indian University in Oklahoma. When schools across the country were desegregated in the 1960s, Virginia Indians entered public schools and gained access to higher education.
This watercolor by English artist John White shows a festive dance scene in Secotan, an Indian town in the Outer Banks region of present-day North Carolina. White visited the town in July 1585, when a great religious ceremony, perhaps connected to the corn harvest, was taking place. Indians from other towns had come for the event, "every man attyred in the most strange fashion they can devise…